April 2012
26 posts
March 2012
34 posts
I hesitate to say what my favorite track off Pink Friday: Roman Reloaded is because I’ve only listened through the whole thing once (I do know what my least favorite track is though! “Starships”!) but the tracks that have made the most impression on me so far are the ones produced by RedOne, including “Whip It”, which shares the same title as a famous Devo song and will probably be played at a club shown in an upcoming episode of Jersey Shore if the clubs they go to in the show ever played artists I’ve ever heard of and not obscure (to me) bro-house. If you held a gun to my head and forced my to pick a favorite, FINE, IT’S THIS ONE, which says a lot about my tastes at the moment. Maybe it’s the nice weather.
OMG YOU GUYS, THE SCORPION JACKET IS COOL AGAIN.
I don’t know if it’s absolute proof that TED is bunk and all but it’s telling that their local affiliate here has opened applications for students. Putting aside the non-quality of their presentations for a second, isn’t their whole deal that they want to introduce ideas that enrich and improve our lives? Isn’t the whole deal of education to teach ideas that enrich and improve our lives? You would think that TED would wholeheartedly take in students, no application necessary. After all, students are busy enough as is and as the stereotype goes, us youngs are an apathetic people so if we want to participate in a program like this, what’s the harm? Instead, they feel the need to make it (more) difficult to be included in all of this and to put their arbitrary and questionable selection process on a group that could ostensibly benefit the most from these talks.
But on second thought, no one, student or not, should have to endure a TED Talk in reality. Fuck those guys.
In a very New Age/Radiohead “everything in its right place” twist, it seems that music has found a place for J. Cole, and that place is in guest verses on otherwise fantastic R&B songs. I’m only thinking of his abysmal verse on the “Party” remix, his barely passable appearance on “All I Want Is You”, and now this Melanie Fiona song, and if you think I’m going to waste more time on J. Cole to seek out more examples to support my theory, you’re out of your mind.
- I may be making assumptions about the movie’s target audience but fuck it, props to T-Bone Burnett for grabbing a group of artists that steer clear of that audience’s market (save T. Swift and I dunno, Kid Cudi). The sound of this album is, for the majority of it, more No Depression than Seventeen magazine, save that second Taylor Swift song that’s sans Civil Wars (also arguably the worst song on the album). I’d have no problem if it was the latter, but the former fits more with the movie’s aesthetic.
- No, I didn’t say that the Maroon 5 song on this is the best song on the album, what are you talking about. Seriously though, for the second time in that band’s career, someone has made Adam Levine bearable. I don’t know if it’s because he sounds restrained and doesn’t sound like he’s singing against the song like he usually does or because he’s been shoehorned into the the album’s aesthetic by Burnett (maybe both!) but yeah, it’s good stuff. Maybe the next Maroon 5 album should be produced by that guy. If the end result sounds like this song, I’d actually give it a shot.
- I even like that Kid Cudi song and I usually hate that guy! Mind you, he’s not rapping on the track, mostly just chanting and moaning about whatever he’s going on about that’s Hunger Games-related over the backing track that sounds like nu-metal slowed down by Quaaludes, and somehow I’ve made it sound like the worst thing ever, but it’s actually not bad, I swear.